French playwright and opera librettist (1830-1897). Autograph letter signed. N. p. 8vo. 1 p. on bifolium.
$ 235 / 220 €
(89838/BN58728)
To a journalist at Le Figaro, reporting on the slow progress of writing the libretto for Massenet's opera "Manon" and asking his friend to publish a note by the fellow journalist Louis Ganderax: "Manon connait le dénouement qui l'attend et voilà pour qui sans doute elle n'avance qu'avec une certaine lenteur. Enfin l'important c'est qu'elle marche bien, ce n'est pas qu'elle marche vite. Ganderax (de la revue des 2 mondes) me demande si mon influence sur vous ira jusqu'à faire passer gratis et le plus tôt possible au Figaro la petite note ci jointe.
Si vous le faites nous vous en aurons tous le deux la plus vive reconnaissance. Si c'est impossible ayez la bonté de me renvoyer la note". - Manon successfully premiered at the Opéra-Comique in Paris on 19 January 1884 and remains Massenet's most popular opera. The libretto was co-authored by Henri Meilhac and Philippe Gille. The young Louis Ganderax (1855-1940) was Meilhac's co-editor for for literature at the "Revue de Paris". - Minimally stained..
French playwright and opera librettist (1830-1897). Autograph letter signed. Paris. Small 8vo. 2½ pp. on bifolium. With autograph envelope.
$ 214 / 200 €
(90483/BN60231)
Highly interesting letter to Philippe Gille, concerning the libretto for Léo Delibes' posthumous opera Kassya, based on a novella by Leopold von Sacher-Masoch, that was co-authered by Meilhac and Gille. Meilhac tells Gille that it wouldn't be worth the trouble to come visit him in Paris as he is working "like a horse" and will probably lock himself up during "four days". Thus, he directly conveys "word by word the observations of Delibes" who had died a few months earlier. Most of Delibes' observations seem to ask for certain scenes to be set in vers, criticize the amount of prose, or suggest cuts but in two instances, concrete changes are demanded: "Amener la chanson, peut-être lui faire répondre à lui quelque chose qui ramènerait un deuxième couplet" and "Supprimer je crois, 'Et quoi, pas un mot de tendresse'" (both act II, scene 4).
- Kassya was unfinished at the time of Léo Delibes' death on 16 January 1891. Apparently, Gille and Meilhac changed the libretto based on Delibes' last corrections before the opera was completed and orchestrated by Jules Massenet. Kassya premiered on 24 March 1893 at the Opéra-Comique where it was respectfully received but only ran for twelve performances. - The recipient Philippe Gille (1831-1901) is best known today for his co-authorship of the librettos for Léo Delibes' most famous opera Lakmé together with Edmond Gondinet and Jules Massenet's Manon with Henri Meilhac. - On stationery with printed letterhead. Somewhat stained and dusted..