Marcel Duchamp

Maler und Objektkünstler, 1887-1968

Marcel Duchamp war Mitbegründer der Konzeptkunst und zählt zu den Wegbegleitern des Dadaismus und Surrealismus. Nach seinem Aufenthalt in München 1912 markierte sich eine drastische Wende in seinem Werk. War er bisher Maler im Umfeld der herrschenden Traditionen der westlichen Welt gewesen, eingeschlossen die avantgardistischen Stile vom Post-Impressionismus, Fauvismus bis zum Kubismus, die er durchlaufen hatte, lehnte er fortan die traditionellen Methoden und Materialien ab. An ihre Stelle trat mechanisches Zeichnen, ironische Texte und Experimente, die den Zufall als Ersatz für die bewusste Kontrolle des Künstlers einsetzten.

来源: Wikipedia

Duchamp, Marcel

artiste français (1887-1968). Collection of five ALSs in French; all written to Jacques Brunius between 1962-1966 (with two undated); three single-paged, and two one page, both sides. In fine condition, with expected folds, and a small tear to the side of one letter. Accompanied by an New York, Cadaquès,. 7 pages sur 5 feuillets in-8 et in-4, à l'encre bleue ou noire sur papier pelure gris, bleu et crème.jointe : une lettre autographe signée de Henry Zirker (?) en français, à entête de Art of the century films, Inc. 2 pages in-4.
$ 34,595 / 32.000 € (47507)

March 28, 1965, New York: “Thank you for your letter…Of course I have no information on the photo’s origin that Schwarz is talking to you about. If you have replied to him in that sense, there is nothing left but ‘to drop the matter.’ When I will see Schwarz this summer in Paris I will explain to him what I do not know. We are leaving for 5 months on April 20.” [to Neuilly s/Seine] June 24, 1962, Cadaqués (Girona, Spain): “We came here from a few days in Paris to stay until the end of August.

Carlebach whom you probably know is not the man with a reasonable price but I hope that you have been able to easily find in New York an expert in Kachinas [dolls]. We will be in Paris in September for a few weeks before returning to New York.” January 9, 1965, New York: “I have to see Schwarz in New York on January 12 and I will pass on your scruples and my approval for publication of my letter in Minotaur. Regret that Alice is not visible—in fact I never saw the movie mentioned in Gardner. What do you think of it? If you have seen it. On Jan 14 Ekstrom has a preview of my things: ‘Less seen or not seen’—1904–1964—will send you a catalog.” Undated [but 1966], New York: “I bought the very nice book of Martin Gardner and I note that all the commentaries relating to chess on the looking glass are perfect. If it is in fact as I suspect, about television (and not radio)—I am sending you—with some delay (!), different diagrams succeeding one another after each white or red stroke—and maybe you could use them on the screen, each to the spot indicated by Gardner. I see nothing else to add verbally and I agree completely on the dreamy aspect and inconsequent chess games making the charm of this problem on the other side of the mirror. At any rate, it would take a lot more time than you have to do more from a distance—Notice that the black and white photos on the screen, my diagrams, my pieces printed in red will come full and empty, full red which means black, red, empty which means white. Notice also that on note 8 of page 286 (Gardner) one must read QB8 and not QB3.” “Friday,” undated: “It is not possible for me to collaborate on the Minotaur for several unimportant reasons—But if the idea is fun for you, do it yourself and use it maybe (?). I do not have a minute to spare at this time. Maybe I could go to see you during its making if you let me know.” A well-known French actor, director, and writer of his day, Jacques Brunius was deeply involved in the Surrealist movement; as such, he had developed a strong working friendship with Duchamp, who had collaborated with the Surrealists from the mid-1930s on, despite his refusal to join the movement himself. While working together on the book In the Margins of French Cinema in 1954, the two found a shared passion for chess, which they later carried into Brunius’s radio show ‘Lewis Carroll: Truancy Master,’ which aired on France Culture radio on Christmas night of 1966 and was centered around a game of chess played “on the other side of the mirror.” Mistaking Brunius’s plan to be for a television show, rather than radio, Duchamp passed along diagrams to be used on screen, taken from a book by Martin Gardner, a popular writer in recreational mathematics and a longtime chess admirer. With interesting commentary on the collaborations of the two men, a mention of Cordier & Ekstrom’s 1965 retrospective of Duchamp’s work, and a refusal to collaborate on “the Minotaur” (most likely the Surrealist journal) due to “several unimportant reasons,” this is an extraordinary collection of letters from Duchamp’s later years, as his life’s work achieved the highest ranks of international celebrity..

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Duchamp, Marcel

French-American artist (1887-1968). Autograph letter signed. New York. 8vo. 1 p. Horizontal folds, note in unknown hand added above 1913 composition ("Entw[urf] zu Bild mit w[eißem] Rand").
$ 4,865 / 4.500 € (86208)

To art historian Kenneth C. Lindsay ("Dear Mr. Lindsay"), listing the Kandinsky artworks that belonged to K[atherine] S[ophie] Dreier upon her death in 1952. „[…] I find, in my notes about the K.S. Dreier estate, the following list of Kandinskys belonging to her when she died […] "Abstract oil 1921 (Russian Carnival??) sold to the Guggenheim Museum during her lifetime and to be delivered after her death "Etching (cards) 1935--6 1/2 [inches] high--Guggenheim Museum "Composition oil 1913--38 [inches] high--Phillips Gallery, Wash.

"Blue Circle oil circa 1925--30 [inches] high--Mus. of Mod. Art, N.Y. "Watercolor (abstract forms) circa 1912--12 [inches] high--M. of M. Art "Watercolor (free forms) 1911 or 1912--9 1/2 [inches] high--M. of M.A. "Watercolor (Entwurf für weisse Form)--circa 1913--11 [inches] high--M.M.A. "The one oil (Russian Carnival) is a very important painting and belongs now to the permanent collection of the Guggenheim Museum." Russian Carnival, 1921--also called Circles on Black, Kreise auf Schwarz, Kreise im Schwarz, or Black Composition--was purchased by Dreier from the artist in 1926 and given to the Guggenheim upon her death..

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Duchamp, Marcel

French-American artist (1887-1968). Autograph letter signed. Paris. 4to. 1 1/4 pp. With envelope.
$ 4,865 / 4.500 € (93307)

To Jean Brun addressed in Nimes: „Mary Reynolds vous remercie de votre longue lettre et vous demande un délai pour y répondre, car elle est très fatiguée en ce moment, sans oublier les gestes qui accompagnent les "fêtes". Moi-même, je dois partir aux États-Unis en janvier, et j'en profite pour vous dire au revoir. Quant aux choses que Bellmer veut expédier, je lui conseille de les remettre à quelqu'un qui vient à Paris. Cette personne les remettrait à Mary Reynolds, qui s'occuperait du reste et lui enverrait la somme par mandat ou autre moyen.

Je crois imprudent de confier encore les objets au courrier, si incertain, et le risque du côté de Matta reste le même. Quand je le verrai à New York, j'essaierai de régler les envois d'une manière différente. À quand un voyage à Paris? […]“ Jean Brun was close to Hans Bellmer; also to Marcel Duchamp. ... "Marie Reynolds thanks you for your long letter and asks for a delay in answering it as she is very tired at the moment.... I myself must leave for the USA in January... as for the things that Bellmer wants to load, I advise him to give them to someone who comes to Paris. I think it is unwise to entrust these things to such an uncertain courier, and the risk on the Matta side remains the same. When I see him in New York, I will try to arrange the shipments in a different way"....

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